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dc.contributor.authorAbdulkhaliq, Zubeida S.
dc.date.accessioned2023-01-13T12:16:37Z
dc.date.available2023-01-13T12:16:37Z
dc.date.issued2023-01-13
dc.identifier.citationAbdulkhaliq, Z.S. (2023) Kakai Religion and the Place of Music and the Tanbur, CREID Working Paper 19, Coalition for Religious Equality and Inclusive Development, Brighton: Institute of Development Studies DOI: 10.19088/CREID.2023.001en
dc.identifier.urihttps://opendocs.ids.ac.uk/opendocs/handle/20.500.12413/17832
dc.description.abstractThis paper discusses the historical context and mythic framework of the Kakai religion. While some information regarding Kakai theological views and beliefs may be known to outsiders, many facets of their religious life, customs and traditions remain undisclosed. Much secrecy surrounds this religion, and non-believers are not encouraged to engage in or witness most Kakai rites. Geopolitical instability in the Kurdistan region also makes access difficult. Throughout this paper we will look at the relationship between Kakai beliefs and music (tanburo), and how the tanbur (a sacred lute) is not merely a musical instrument but is seen as a symbol of Kakai identity, with the music preserving language and legend.en
dc.language.isoenen
dc.publisherInstitute of Development Studiesen
dc.relation.ispartofseriesCREID Working Paper;19
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/en
dc.titleKakai Religion and the Place of Music and the Tanburen
dc.typeSeries paper (non-IDS)en
dc.rights.holderInstitute of Development Studiesen
dc.identifier.doi10.19088/CREID.2023.001
rioxxterms.funderDepartment for International Development, UK Governmenten
rioxxterms.identifier.projectCoalition for Religious Equality and Inclusive Development (CREID)en
rioxxterms.versionVoRen
rioxxterms.versionofrecord10.19088/CREID.2023.001en
rioxxterms.funder.project7a473ec6-92f8-49ff-98df-9ec27d8d5fe6en


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